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POEMS FROM SONGS IN BLUE NEGRITUDE My Grandfather, the Poet (For Mr. Leeal Hall) My Grandfather, known as Brother, could tell tales that grew fast and tall like hay in the summer. His eyes flickering like lightning bugs as he looked upside your head, soliciting a response. This man, cooler than Alaskan snow, had a way of making words shine like new money outstretched on red clay, as he shuffled and swapped words like a card dealer; reading your face and body. This word-swapper, my Grandfather, enjoyed a life as unpredictable as a game of dominoes; as reflective and candid as the blues. A life of unforgettable bends and turns like the roads and highways he traveled in search of memories--fine as split silk. Good as cake and ice cream. i want patti la belle to sweat her make-up as she stands over a pot of neck bones funk kissing her between the eyes squinting and gyrating marinating and moaning over a soul food plate flanked by her sugary yams stacked perfectly just for me a dragging in tx i could see all of the tension in his body and in the chain the tightness and stiffness in his jaw the wild glare in his eyes the mosquitoes circling his dusty-musty black body sun-dried and reeking of cheap tobacco juice compliments of dirty southern men in pure white sheets who delight in taking the side roads the beaten paths too often traveled in the weeping darkness that can’t mediate between the voiceless victims and the gutless human creatures that ravage human beings for sport in killing fields where nightmares are nurtured and harvested perpetuated and pre-meditated hushed and silenced as they envelope and engulf black bodies strong and well-designed like the eye-catching body-dragging chains hooked up to fords and chevys that pull grown men and dismember dismantle decapitate husbands fathers brothers sons men like rag dolls devoured by pit bulls who contort jerk break necks snap bones and split open down the seams as passionate red and white entrails mop the pay dirt in the good old u s of a |
POEMS FROM ZURI: Selected Love Songs india arie’s skirt whisking brazilian sand in broom-stroked fervor is oven-warmed peach cobbler with extra sweet crust heart claps jump-roping double time good-smelling soap at the end of a dirty day brown-skinned giftedness high-jumping boundaries over catfish and caribbean rice in a smoker’s rasp she intoned: otis redding sounds like a male version of billie holiday and pasty cline no matter how hard the day he helps me get through life with his young old soul i rested my fork and listened as she spoke about soul and jazz with verve amid my assembling her thoughts and deconstructing her lifestyle otis reminded her of bo diddley—a genius that looked fifty-six at eighteen she grew up singing his songs she flashed him when his tour bus passed her on a stretch of memphis road i dipped my catfish in a plastic container of tarter sauce while she dissected groups and songs as the jukebox played in the restaurant which was once a store that played dyke and the blazers and other groups she liked i folded my napkin as she sucked the marrow from a rib and licked her fingers squinting as she told me jazz is like algebra: it is pretty but complicated she prefers blues because that is what she knows like the tattooed flames on her heels and the neighborhood where she lives the best way she knows how day to day |
(C) Van G. Garrett

